Non-Fiction of Gay Interest
Journals 1889-1949
by André Gide (translated by Justin O'Brien)
Publisher: Penguin
Harmondsworth, UK

Year


1967       
Cover / size: paperback / h 18 cm * w 11.2 cm / 797 pp

Dustjacket?   n/a

ISBN: n/a

Arbery Ref:   001085

Condition Good

Cover: widely discoloured and slightly soiled; spine unbroken; edges have slight wear. Page edges mottling. Pages brown but otherwise clean.

Price £5.50
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Gide: Journals 1889-1949 (Penguin ed)

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Content:

"These Journals are André Gide's main testament to posterity. In them he records his sixty years of full and active life, as teacher, naturalist, musician, moral philosopher, critic and novelist, and discusses the problems he faced in his major works, The Vatican Cellars, Strait is the Gate and The Immoralist. As an artist Gide was both politically and intellectually committed on all the important issues of his day, and this is a record of his views, both impulsive and carefully considered, on the Dreyfus Case, the 1914 War, the spread of fascism and communism, and finally the Second World War. But above all, they reveal Gide's own serious moral attitude towards his art, which in the course of the Journals he transformed from talent to literary genius."

(from the cover)


Background / Biography:

André Paul Guillaume Gide (22 November 1869 – 19 February 1951) was a French author and winner of the Nobel Prize in literature in 1947. Gide's career ranged from its beginnings in the symbolist movement, to the advent of anticolonialism between the two World Wars.

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"With Pierre. We climb to the sixth floor of a house in rue Monsieur-le-Prince, looking for a place where our group can meet. Up there we find a huge room seeming even larger because of the lack of furniture. To the left of the door the ceiling slopes downward as in a mansard. Near the floor a small door opens into an attic extending the whole length of the house under the roof. In the opposite wall a window, just waist-high, provides a view over the roofs of the Medical School, over the Latin Quarter, of an expense of grey houses as far as the eye can see, the Seine and Notre-Dame in the setting sun, and, in the far distance, Montmartre barely visible in the evening mist.

And together we dream of the impecunious student's life in such a room, with an unfettered pen as the only means of earning a living. And at your feet, on the other side of your writing-table, all Paris. And take refuge there with the dream of your masterpiece, and not come out until it is finished.

Rastignac's famous cry as he looks down on the City from the heights of Père Lachaise: 'And now . . . you and I come to grips!' "


first entry, Autumn 1889, footnotes omitted



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